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CAST RECORDINGS: REVIEWS

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THE BAKER'S WIFE
(Original London Cast Recording)
(CDTER2 1175)
Review by Tim Connor

Stephen Schwartz, composer and lyricist of Godspell and Pippin, came up with this charming musical score which sadly never made it to Broadway, and in London closed after a short run due to a shortage of "bums on seats". This is unfortunate, for the music and lyrics are of the highest quality, without a doubt the best piece by Schwartz I have come across so far. A completely different style to the two other shows mentioned, it demonstrates his ability to write to suit a story, and successfully at that.

The plot behind 'The Baker's Wife' is a relatively simple one. In a small French village a Baker in his 50s and his far younger and stunningly beautiful wife move into their new home to start a new life together. He quickly builds up a reputation for baking the most delicious bread, and is the envy of all the men for having such an attractive woman. However, very soon after there is scandal. His wife strangely disappears one night, as does villager Dominic - quite obviously to have a fling. Consequently, the baker refuses to provide the village with bread until she returns to him.

The music is very folksy, and Schwartz has written some lovely ballads in particular the opener and show's "theme" 'Chanson', splendidly rendered by Jill Martin. Alun Armstrong as the Baker and Sharon Lee Hill as the Baker and his wife both give impressive performances, especially Armstrong who brings a warmth to his character that comes across on the recording.

There are plenty of lively numbers, 'Merci Madame' and 'Bread' just two examples. The lyrics are engadging and there is just the right amount of dialogue incorporated, making it easy to follow. Personally, I think the solo 'Proud Lady' is the best song; cleverly constructed and well sung by Drue Williams. It reminded me vaguely of 'Ah Miss' from 'Sweeney Todd'.

Not forgetting the orchestra - first rate with Gareth Valentine as Musical Director (some may recognise him as the bald MD from the 'Chicago' revival!). An excellent recording, though slightly over priced, but well worth forking out the money for.


Reviewed by Tim Connor


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