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Inimitable, outrageous, scandalous Japanese dancer Shakti makes her
West End debut for 9 performances of her production, The Pillow
Book at the Arts Theatre from 29th Aug to 7th Sep 02.
A celebration of women's sexuality, Shakti ends up completely naked,
her body a canvas for beautiful day-glo painted images, whipping herself into
an almost-demonic, explosive finale of passion and fire.
It is based on the works of 11th century Japanese poet Sei Shonagon, whose
writings of love and liberation also inspired Peter Greenaway's film The
Pillow Book, starring Euan McGregor. Written at a time when women were not
supposed to express their feelings, sexual or otherwise, this is a passionate
piece, made even more so by Shakti's highly-charged performance.
The Pillow Book spans from the floating world of Kyoto courtesans through
rhythms of fiery passion to a performance art finale celebration of female
beauty. Against a backdrop of luxurious silk, Shakti's stately entrance is
accompanied by a delicate duo of white-clad female attendants. Revealing her
flowing red dance robe, they ignite her pulsating, whirling rhythms, rising
to a crescendo of sensual expression and emotional force, with anguished
movements proclaiming the pain as well as the joy of love. From its teasing
beginning to the energetic finale,The Pillow Book is an incredibly erotic
experience. Halfway through the show, Shakti bears all, allowing herself to
be daubed all over in brightly coloured paint, a procedure which is performed
with precision by Mieko Nishimura. When the body painting is finished, Shakti
continues with her dance, building up to an almost demonic climax.
Shakti was born in 1957 in Kyoto, Japan to an Indian father and a Japanese
mother. Her mother founded the VasantaMala Dance Company and brought Indian
dance to Japan while her father founded and directed the Gandhi Institute in
Kyoto. Shakti grew up with not only the rich cultural heritage of Japan but
of India as well. She studied yoga with her father and dance with her mother
and with the foremost gurus of India. While earning an M.A. in Indian
Philosophy at Columbia University in New York City, Shakti studied modern
dance with Martha Graham, Alvin Ailey and jazz dance with Luigi. Upon
returning to Japan, Shakti developed a unique hybrid form of dance blending
an array of Eastern dance traditions and yoga with Western jazz and
contemporary rock resulting in a exotic, erotic, and shocking effect. She has
been performing worldwide to great critical acclaim.
Shatki is the co-ordinator of the Japan Experience which assists and manages
Japanese artists abroad. She also runs The Garage which is now one of the
most prominent venues in the Edinburgh Festival Fringe hosting over 40 dif
ferent companies from all over the world. The Garage International is now
expanding into Avignon (France) and Adelaide (Australia).
Click here for full production details
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