Things I Know to be True

Things I Know to be True

Things I Know to Be True is a brand new commission by Australian writer Andrew Bovell and comes to the UK following a world premiere in Adelaide in May 2016. The production will open in London before touring to Oxford, Warwick, Liverpool, Salford and Chichester. Co-directed by Frantic Assembly's Tony and Olivier Award nominated Artistic Director Scott Graham and State Theatre Company's Artistic Director Geordie Brookman, the production is described as "a complex and intense study of the mechanics of a family that is both poetic and brutally frank".

Things I Know to be True running time: 
2 hours
15 images
About Things I Know to be True:

The story of a family and marriage through the eyes of four grown siblings struggling to define themselves beyond their parents’ love and expectations. Parents Bob and Fran have worked their fingers to the bone and with their four children grown and ready to fly the nest it might be time to relax and enjoy the roses. But the changing seasons bring home some shattering truths.

Things I Know to be True Child Policy:
Suitabel for 14+
Andrew Bovell
Frantic Assembly and State Theatre Company of South Australia
Scott Graham and Geordie Brookman
Cast list:
Matthew Barker, Natalie Casey, Richard Mylan, Kirsty Oswald, Ewan Stewart and Imogen Stubbs.
Things I Know to be True Performance Dates & Times
Previews from: 
Thursday, 11 January, 2018
Opening date: 
Thursday, 11 January, 2018
Available from: 
Thursday, 11 January, 2018
Saturday, 3 February, 2018
Booking to: 
Saturday, 3 February, 2018

Lyric Hammersmith

King Street, Lyric Square, London, W6 0QL
Nearest tube:

Things I Know to be True Customer reviews

Things I Know to be True - Next performances

Our Things I Know to be True Review

It's not very often that you see a piece of theatre that resonates so soundly with a specific period of your life that it feels both difficult and cathartic to watch. As one of three siblings tottering over the milestone age of 30 I could relate wholeheartedly with so many aspects of Bovell's play that it felt strangely familiar yet constantly surprising.

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