Shows on 26 June 2019

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6 shows found
  • School of Rock
    School of Rock
    Gillian Lynne Theatre formerly known as the New London

    Based on the iconic, hit movie, this irresistible new musical follows Dewey Finn, a failed, wannabe rock star who decides to earn an extra bit of cash by posing as a supply teacher at a prestigious prep school. 

  • On Your Feet!
    On Your Feet!
    London Coliseum

    Her voice. His vision. Their story.

    Gloria and Emilio Estefan's smash-hit musical comes to London direct from Broadway for a strictly limited season. On Your Feet! is the inspiring true love story of Emilio and Gloria and charts their journey from its origins in Cuba, onto the streets of Miami and finally to international superstardom. 

  • Matilda the Musical
    Matilda the Musical
    Cambridge Theatre

    Matilda The Musical is the multi-award winning musical from the Royal Shakespeare Company, inspired by the beloved book by the incomparable Roald Dahl. 

  • The Woman in Black
    The Woman in Black
    Fortune Theatre

    Susan Hill’s acclaimed ghost story is brought to dramatic life in Stephen Mallatratt’s ingenious stage adaptation. Now celebrating over 25 terrifying years in the West End, Robin Herford’s gripping production is a brilliantly successful study in atmosphere, illusion and controlled horror.

  • Carmen - Royal Opera
    Carmen - Royal Opera
    Royal Opera House

    Carmen is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone.

  • Wife
    Wife
    Kiln Theatre

    Nora slammed the door on a broken, obsolete system for us, and now a hundred years later we have this free, independent union that’s not answerable to the interventions of the state and thrives irrespective of it.

    1959. 1988. 2019. 2042. Four couples intersect with a production of Ibsen’s A Doll’s House.

    When it comes to identity, gender and unrequited love, how do societal expectations and pressures change over time?

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