Beautiful Thing Review

First produced almost 20 years ago, this play by Jonathan Harvey still seems just as fresh, just as relevant, and just as captivating as if it had been written yesterday. Since its birth, the play has been produced all over the world, and it was turned into a film in 1996, directed by Hettie MacDonald. That well-deserved success demonstrates the show's widespread and enduring appeal, which seems to lie in the fact that audiences see more in the play than merely a tale of two teenagers confronting and coming to terms with their sexuality.

However, the story is not just about verbal and physical duelling, domestic violence, bullying, or the trials of growing-up. When Ste is once again subjected to more violence in his own home, he seeks refuge in Sandra's flat and has to share Jamie's bed and one thing leads to another, and the pair strike-up a relationship which is not kept a secret for very long.

Jonathan Harvey's dialogue is not only completely authentic - as it should be since he was a teacher for a time in Thamesmead - but there is also plenty of humour right the way through it. Like most good drama, this often emerges at some of the most poignant moments. For example when Ste finds out that Sandra knows about his relationship with Jamie and starts crying, Sandra tells Jamie to get the box of "Autumnal Shades" (tissues) from indoors. Mr Harvey also manages to weave a rather complex and touching story without ever making it seem sentimental or in any way contrived.

Director Nikolai Foster faced a considerable challenge in managing this revival, given the success of both the original production and the film. However, the result is a superbly-crafted piece of work. The fight scenes are especially well-orchestrated and timed to perfection. The setting is simplicity itself, but ample to suggest the somewhat brutal surroundings. Mr Foster is well-served by an exceptional cast who make every word and action count, and never falter in portraying real and believable characters. Overall, this is a first-rate revival of a hugely enjoyable and moving play.

 

 

Originally published on

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