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Award-winning playwright Chris Bush reimagines the Faust myth to explore what we must sacrifice to achieve greatness, and the legacy that we leave behind. Caroline Byrne directs this radical new work in which the iconic character of Faustus becomes a woman who makes the ultimate sacrifice in order to traverse centuries and change the course of history.
Following its critically acclaimed premiere in 2018, this coming of age story inspired by Dizzee Rascal’s seminal album, returns for a limited run before going on tour. Step into a technicolour world where music, dance and spoken word collide, and discover how grime allowed Debris Stevenson to redefine herself.
“You’re only the greatest person ever invented and he’s some boy who’s probs never had a conversation with a side of the sun before-
but like Let’s Be Modest About It”
Tosh and Lou. 22 scenes.
In a space they have created, using a language they have created, the two girls theorise.
Alina Cojocaru, lead principal dancer with Sadler’s Wells Associate Company English National Ballet and resident guest artist with Hamburg Ballet, curates and performs in a new programme of classical and contemporary works.
Celebrating five years of Holy T and following the success of Miz Cracker‘s first one woman show to the UK, Miz Cracker makes her debut at The London Palladium. As the first RuGirl to bring a show here, you can expect her to pull out all the stops. She’ll also be bringing some very special guests from across the pond.
With a score by Claude-Michel Schönberg and Alain Boublil, steeped in Irish traditions and powerful ballads, The Pirate Queen is both timeless history and epic romance for the stage.
As Lin Hwai-Min, founder of the world-renowned Taiwanese company, steps down in 2020, Cloud Gate Dance Theatre brings works from the current and new artistic directors.
James McAvoy returns to the West End in an inventive new adaptation of Edmond Rostand’s masterwork by Martin Crimp, with direction by Jamie Lloyd. Fierce with a pen and notorious in combat, Cyrano almost has it all - if only he could win the heart of his true love. There’s just one big problem: he has a nose as huge as his heart. Will a society engulfed by narcissism get the better of De Bergerac - or can his mastery of language set Roxane’s world alight?
Oscar Wilde’s cherished The Importance of Being Earnest comes direct to The Turbine Theatre from The Barn Theatre, Cirencester as a two-man re-imagining of the classic that will delight and entertain in equal measure.
"It’s unseen. No one’s telling the stories. You don't see us on the streets because saunas and Grindr mean that gay men don't have to be homeless in the traditional sense. It's all hidden." Did you know there is a LGBTQ+ homelessness crisis? Working together with young LGBTQ+ ex/homeless people in London, Vicky Moran’s new play shines a light on a forgotten generation of homeless youth.
Shelagh Delaney’s ground-breaking British classic A Taste of Honey returns to the West End for the first time in 60 years.
Directed by Bijan Sheibani (Barber Shop Chronicles) and designed by Hildegard Bechtler (Antony and Cleopatra), A Taste of Honey is a gritty depiction of working-class life in post-war Britain and an exhilarating portrayal of the vulnerabilities and strengths of the female spirit in a deprived and restless world.
Touching The Void transfers to the Duke of York’s Theatre, following its critically acclaimed world premiere in 2018 and a run at Bristol Old Vic in March 2019.
