The Prince of Homburg

Our critics rating: 

"Heinrich von Kleist's great German play, written shortly before his death in 1811, has been given a new ending by Dennis Kelly which perverts the play's meaning and undermines an otherwise fascinating evening."
Michael Billington for The Guardian

"The highly-strung wit of Kleist’s verse is lost in a welter of rhetoric, and [Dennis] Kelly has unnecessarily amended Kleist’s ending."
Henry Hitchings for The Evening Standard

"A witty, free-flowing new version. "
John Thaxter for The Stage

"Dennis Kelly’s lucid, often beautifully lyrical new version betrays the original by altering the ending. Realpolitik rather than philosophy wins out. Fine by me: Kelly’s subversive stroke subtly connects the emergence of the modern German state with the terrifying absolutism of the Nazis, without jeopardising the drama’s other concerns. "
Dominic Cavendish for The Daily Telegraph

"There should be more to admire in this show. The play offers a delicately balanced dilemma: the law of the heart versus the law of nationhood. In this director's insufficiently serious grasp, it underwhelms."
Quentin Letts for The Daily Mail

External links to full reviews from popular press
Guardian - Daily Telegraph

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