
The Southwark Playhouse's smaller second stage makes a fitting attic. Natalie Johnson's set is simultaneously cramped and expansive, a naturalistically cluttered backdrop packed with boxes and lovingly detailed detritus of a suburban American life from 1980 to the present, a fit for the intimacy of the venue (which is perhaps unfortunately cramped—there is no distancing in place, and masks are not required).Andrew Lippa and Tom Greenwald's two-person musical about the changing relationship...