Does Mike Bartlett ever sleep? Possibly not, judging from the dramatist’s third London opening in quick succession, even if one of them, Marianne Elliott’s illness-plagued West End revival of Cock, is a play first seen in 2009. And to his credit, Scandaltown at the Lyric Hammersmith – home to a superb pre-pandemic revival of Bartlett’s onetime Royal Court play Love, Love, Love – is as far removed from the angsty Cock as both plays are from The 47th, his ill-focused if well-acted fantasia at the...