The queens finally got their chance to rule Broadway, following a Covid hiatus which delayed their scheduled opening – and there’s no way they weren’t coming home with some serious bling! Toby Marlow and Lucy Moss won a Tony Award for their witty, royally impressive score, and the show was also recognised for Gabriella Slade’s diva-tastic costumes. Greensleeves? Oh, we’re green with envy.

It’s another triumph for this inspiring British musical, which grew from an Edinburgh Festival Fringe production to a global phenomenon. If this is the one you’ve been waiting for, then get down to the Vaudeville Theatre and see the amazing London cast in action, telling the stories of Henry VIII’s wives from a whole new perspective. You’d need a heart of stone not to cheer on our Tony-winning stars.

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The still-remarkable Cabaret was the 1967 Best Musical Tony Award winner, plus it picked up numerous other gongs including for Joel Grey’s performance as the Emcee. It’s since won more Tonys for its revivals (Alan Cumming won in 1998), and the extraordinary West End revival, led by Eddie Redmayne and Jessie Buckley, swept the Oliviers, and won a Tony for its decadent design.

Tom Scutt's design work is vital for immersing us in the Kit Kat Club in Rebecca Frecknall’s revelatory production. It rewards multiple repeat viewings as the show keeps attracting exciting new cast members: we currently have Tony winner Billy Porter (for Kinky Boots) and Marisha Wallace; next up are Rob Madge and Hannah Dodd.

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There’s more Tony-winning decadence at the Moulin Rouge, with Baz Luhrmann’s explosively colourful movie-musical triumphing on stage too. The Broadway production won a whopping 10 statues at the 74th Tony Awards, including Best Musical, acting awards for Aaron Tveit and Danny Burstein, and awards for Alex Timbers’ direction, Sonya Tayeh’s choreography, Catherine Zuber’s costumes and Derek McLane’s set.

You can understand why when you step into London’s Piccadilly Theatre, which is home to a massive windmill and blue elephant – and that’s just in the auditorium. From romantic sojourns on the rooftops of Montmartre to the electrifying dance numbers, pairing period attire with head-spinning pop song mash-ups, it’s sheer opulent musical theatre.

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David Adjmi’s remarkable play scored a whopping 13 Tony nominations in 2024 and won five awards: for Best Direction, Best Featured Actor, Best Scenic Design, Best Costume Design, and Best Play. Now London audiences get to see why Stereophonic is so beloved as it hits the West End.

Featuring soul-stirring original music by Arcade Fire’s Will Butler, the show takes place in a recording studio in the 1970s as a talented British-American rock band try to nail down their second album. But friction between them, from romantic tensions through to creative differences, addiction and more, constantly disrupts their process.

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Lionel Bart’s dynamic musical adaptation of Charles Dickens’s novel was a notable British success story, but this homegrown hit also took Broadway by storm. That original 1963 production was nominated for 10 Tonys and won three, including for Bart’s inimitable score – which includes enduring songs like “Food, Glorious Food” and “As Long As He Needs Me”.

If you’re thinking “I’d do anything” to see it again, then good news: the show is back in the West End in a thrilling revival directed by Matthew Bourne and produced by Cameron Mackintosh. It’s a chance to rediscover an award-winning classic in a ravishing new form. Consider yourself at home!

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Who could have imagined that a musical about corn would make Tonys history? But that’s exactly what happened last year when Alex Newell – whose character Lulu sang Shucked's standout number “Independently Owned” – became the first openly non-binary performer to win the Tony Award for Best Featured Actor in a Musical.

Intrigued Londoners can head to Cob County, via Regent’s Park Open Air Theatre, this summer, to catch up with Brandy Clark, Shane McAnally and Robert Horn’s pun-tastic comic romp, which features a toe-tapping country-pop score, a heart-warming story, and a verdant setting that is perfect for the park.

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Arthur Miller is one of the great playwrights in the American canon, so it’s no surprise that his work has won Tonys among numerous other awards. First up in London in 2025 we're getting The Crucible (four Tonys – and also the basis for this season’s Tony nominee John Proctor Is The Villain), bringing fear, paranoia and superstition to Shakespeare’s Globe.

Then this winter we’ll see a star-studded revival of All My Sons (two awards at the very first Tonys in 1947) in the West End, directed by Ivo Van Hove and led by Bryan Cranston, Marianne Jean-Baptiste, and Paapa Essiedu. It’s part wrenching family drama, part searing indictment of the American Dream.

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Jerry Bock, Sheldon Harnick and Joseph Stein’s show about a milkman in a small Jewish town whose adherence to tradition is challenged by his three daughters was a Broadway sensation back in 1964, becoming the first musical to surpass 3,000 performances and winning nine Tony Awards, including Best Musical.

Fiddler is still just as beloved, although – appropriately enough – the extraordinary recent Regent’s Park revival, which is transferring to the Barbican for the summer, sees director Jordan Fein make bold new choices just as much as he honours the show’s rich history. The production won three Oliviers, continuing Fiddler’s decades-long awards run.

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Ironically for a musical about an odd-couple pair of con artists trying to create a massive flop in order to scam their investors, The Producers became a Broadway sensation and a record-breaking Tony-winning show, scoring 12 awards in total, including Best Musical, Best Direction, and Best Actor for Nathan Lane.

Mel Brooks’s jaw-dropping, fabulously outrageous comedy returned to London last year in a perfectly zany revival at the Menier, and is now goose-stepping, and jazz-hand-waving, its way into the West End for a much-deserved encore run at the Garrick Theatre. It’s so bad it’s brilliant!

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This thriller of a Michael Jackson bio-musical won four Tony Awards when it debuted on Broadway, including for Christopher Wheeldon’s sensational choreography and Best Actor for the uncanny MJ himself, Myles Frost. He also reprised his lead performance when the criminally smooth show hit the West End.

MJ takes place in 1992 in the build-up to Jackson’s legendary Dangerous World Tour, and also looks back at his life and career – from his days in the Jackson 5 to his revolutionary hits as a solo artist, including “Billie Jean”, “Beat It” and “Thriller”. Wanna be starting something? Moonwalk over to this explosive award-winner.

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