The hit musical comedy *Titanique* has confirmed plans for a West End run later this year. The show is currently performing at Off-Broadway venue the Daryl Roth Theatre.

The musical, which is co-written by Tye Blue, Marla Mindelle, and Constantine Rousouli, has received critical acclaim and multiple awards since its premiere off Broadway at Asylum Theater in 2022.

The parody of James Cameron's Oscar-winning *Titanic* film features a raft of Celine Dion’s iconic songs including “My Heart Will...

'Titanique' confirms planned West End run

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The musical has received critical acclaim and multiple awards since its premiere off Broadway at Asylum Theater in 2022. It is currently at the Daryl Roth Theatre.

The British writer James Graham is on an incredible run at the moment. He just won the Olivier Award for Best New Play for *Dear England*, a fantastic drama about football manager Gareth Southgate, which enticed new audiences into theatre, and the musical *Tammy Faye*, for which he supplied the book, is opening on Broadway this autumn.

He’s also a prolific screenwriter, with recent hits including the crime series *Sherwood* and the dystopian drama *The Way*. Graham has that rare combination of...

Learn more about James Graham’s career ahead of 'Boys from the Blackstuff'

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From plays *Dear England* and *This House* to TV hits like *Sherwood*, Graham is unstoppable – and now his *Boys from the Blackstuff* is coming to the West End.

The bright lights of West End theatres are always appealing, but there are also a number of exciting Off-West End venues in the capital, such as the small but mighty [Bush Theatre](https://www.londontheatre.co.uk/theatres/bush-theatre), which is nestled in west London.

This theatre has always punched above its weight, launching the careers of hugely successful writers such as James Graham and Lucy Kirkwood, as well as actors like Victoria Wood, Alan Rickman, Andrew Scott, and Phoebe...

A complete guide to the Bush Theatre

Bush Theatre credit Philip Vile

Get to know this exciting new-writing venue in west London, which has launched the careers of Phoebe Waller-Bridge and Victoria Wood, among others.

The acclaimed screen and stage actor Ben Whishaw is back in town, starring in the premiere of Margaret Perry’s *[Bluets](https://www.londontheatre.co.uk/show/39930-bluets)* at the Royal Court. The play is an adaptation of Maggie Nelson’s book and follows someone obsessed with the colour blue – taking in artists like Joni Mitchell and Billie Holiday as they navigate a devastating heartbreak.

Whishaw is joined in *Bluets* by *House of the Dragon* star Emma D’Arcy and *The Girl Before*’s Kayla...

Learn more about Ben Whishaw's career ahead of 'Bluets' at the Royal Court

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The James Bond and *Paddington* actor is co-starring in this new adaptation of Maggie Nelson's book *Bluets* with Emma D'Arcy and Kayla Meikle.

It’s another fantastic year for [Shakespeare plays](https://www.londontheatre.co.uk/whats-on/shakespeare) in London, and as the weather (finally!) improves, you can start getting those outdoor shows in the diary, as well as all of the brilliant productions in the West End and beyond.

If you’re after a fresh take on the Bard, you’re definitely in luck. Sir Ian McKellen is already wowing audiences, giving his Falstaff a dynamic new spin in Robert Icke's adaptation of *Henry IV*, *[Player...

See modern adaptations and outdoor productions of Shakespeare plays in London

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Player Kings. Ian McKellen (Falstaff) & Toheeb Jimoh (Prince Harry). Credit - Manuel Harlan. 029

From Ian McKellen in *Player Kings* to an incredible open-air season at Shakespeare's Globe, there's a wide variety of shows on offer in London.

You just can’t beat family when it comes to riveting drama. Perhaps that’s because no one gets under your skin quite like the people you love and who know you best – and who are bonded to you by blood, like it or not. From Greek tragedy through Shakespearean slanging matches and contemporary clans, shows with family drama at their centre have always ruled our stages.

That’s certainly true of London theatre this year, which features a range of bickering families – from plays like *[Long Day's...

Watch West End family dramas on the London stage

Brian Cox and Patricia Clarkson long days journey 1200 LT credit Johan Persson.

Enter the homes of these loving but fraught families in West End plays such as *Long Day's Journey Into Night* and musicals like *Back to the Future*.

Get ready for what promises to be the most talked-about play of the year. Hollywood star John Lithgow will play Roald Dahl in a new drama, *[Giant](https://www.londontheatre.co.uk/show/39984-giant)*, which sees the famous author about to release his children’s book *The Witches*, but then rocked by a scandal surrounding anti-Semitic comments he made in an article.

Mark Rosenblatt’s debut play, directed by Nicholas Hytner (artistic director of the Bridge Theatre), also stars Elliot Levey...

Learn more about John Lithgow's career ahead of him playing Roald Dahl in 'Giant'

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The Tony and Emmy-winning Hollywood actor is starring in Mark Rosenblatt’s provocative new play *Giant* at the Royal Court in London this autumn.

Duncan Macmillan’s indelible hit play *[People, Places & Things](https://www.londontheatre.co.uk/show/40085-people-places-and-things)* is making an exciting return to the West End this summer – and its original star is back too. Denise Gough will reprise her award-winning lead role as Emma, an actress and addict who crash-lands in rehab.

It’s an unmissable chance to see Gough reprise one of the great performances of the past decade, as she digs into knotty issues around recovery, identity,...

Everything you need to know about People, Places & Things

People Places and Things LT 1200 credit Matt Humphrey

Denise Gough reprises her Olivier Award-winning performance in Duncan Macmillan's electrifying play, which returns for a run at the Trafalgar Theatre from May.

As much as we adore all of the historic theatres that make up London’s West End and beyond, it’s also exciting when we get a new venue – especially if it’s one that allows for completely different kinds of staging.

The [Troubadour Wembley Park Theatre](https://www.londontheatre.co.uk/venues/troubadour-wembley-park-theatre), which was converted from a TV studio, is a prime example. This huge, flexible space has already accommodated a wide variety of shows, from Rambert’s dance take on *Peaky...

A complete guide to the Troubadour Wembley Park Theatre

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Get to know this fun, flexible north London venue ahead of its much-anticipated revival of Andrew Lloyd Webber musical *Starlight Express* this summer.

Summer is on the horizon, and many of London’s open-air theatres will welcome audiences once more. Look forward to shows under the stars at Regent’s Park Open Air Theatre and Shakespeare’s Globe. But, if you’re sticking to the West End theatres, then you’re in for a treat with *Fawlty Towers, Heathers,* and *Long Day's Journey Into Night* to name a few. 

May 2024 in London marks the beginning of limited summer shows and plenty of buzzy productions to whet your appetite. We’re seriously spoiled...

Top theatre to see in London in May

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From the Brian Cox-led *Long Day's Journey Into Night*, to *Bluets*, starring Ben Whishaw, here’s the top theatre picks in London in May 2024.

You can sit down, or stand, on the boat for even longer! *Guys & Dolls* will continue performances at the [Bridge Theatre](https://www.londontheatre.co.uk/theatres/the-bridge-theatre) to 24 Feb. 2024. 

In a [five-star *Guys & Dolls* review](https://www.londontheatre.co.uk/reviews/guys-and-dolls-review-bridge-theatre), our critic said: “Would luck be a lady for Nicholas Hytner? His much-hyped, immersive production of *Guys & Dolls* is set to run for six months at the Bridge Theatre — a significant gamble. Well, I’m delighted to report that he’s hit the jackpot with this jubilant revival, which somehow manages to be both the most exhilarating version of Frank Loesser’s musical, and also the most nuanced.” 

During the immersive adaptation, audiences can visit the streets of Manhattan and the Havana bars all in one evening. The *Guys & Dolls* musical tells of the bets made between Nathan Detroit and Sky Masterson, and what happens when they meet their “doll.” 

Daniel Mays plays Nathan Detroit, alongside Cedric Neal as Nicely-Nicely Johnson, Andrew Richardson as Sky Masterson, Celinde Schoenmaker as Sarah Brown, [Marisha Wallace](https://www.londontheatre.co.uk/stars-on-stage/marisha-wallace) as Miss Adelaide, Jordan Castle, Cornelius Clarke, Cameron Johnson, Anthony O’Donnell, Mark Oxtoby, Ryan Pidge, Katy Secombe, Simon Anthony, Lydia Bannister, Kathryn Barnes, Callum Bell, Cindy Belliot, Petrelle Dias, Ike Fallon, Leslie Garcia Bowman, George Ioannides, Robbie McMillan, Perry O’Dea, Charlotte Scott, Tinovimbanashe Sibanda, Isabel Snaas, Sasha Wareham, and Dale White.

Book *Guys & Dolls* seated tickets.

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Book *Guys & Dolls* standing tickets.

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*Photo credit: Daniel Mays and Andrew Richardson (Photo by Manuel Harlan)*

‘Guys & Dolls’ tickets available through February 2024

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Ages 5+. Under 12's are not allowed in the standing area. Under 16's in the standing or seated areas must be accompanied by an adult. Children aged 5-11 must watch from a seat with an adult. Children under 5 will not be admitted.

Guys & Dolls - LON [25504]

Genre: Musical

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Production image of Guys & Dolls in London featuring Timmika Ramsay in the role of Adelaide.

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Production image of Guys & Dolls in London featuring ensemble cast and Jonathan Andrew Hume in the role of Nicely Nicely Johnson.

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Production image of Guys & Dolls in London featuring Owain Arthur in the role of Nathan Detriot and George Ioannides as Sky Masterson.

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Production image of Guys & Dolls in London featuring Celinde Schoenmaker in the role of Sarah Brown.

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Production image of Guys & Dolls in London featuring Owain Arthur as Nathan Detroit, Jonathan Andrew Hume as Nicely Nicely Johnson, and other cast member.

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Luck be a lady tonight! Be swept up with the thrills of Manhattan and Havana all in one night. *Guys and Dolls* tickets are available on London Theatre now.

__[This is for *Guys and Dolls* seated tickets. Book *Guys and Dolls* standing and stage tickets here.](https://www.londontheatre.co.uk/show/27637-guys-and-dolls-standing-and-stage-area)__

Don’t expect a traditional *Guys & Dolls* at the Bridge Theatre. Expect to be thrown into all the action: join all the characters as they walk the New York streets, sip a cocktail at the Cuban bars, and take a trip to the Salvation Army. The Bridge Theatre comes alive with this sensational retelling, with London Theatre hailing it “the jackpot of musical revivals.”

When booking *Guys & Dolls* tickets, you can choose to watch the action unfold in seated sections or in the pit.

Did you know the *Guys & Dolls* is based on short stories? Jo Swerling and Abe Burrows adapted Damon Runyon’s gangster tale “Blood Pressure”, and triumphant love story “The Idyll of Miss Sarah Brown”. Plus, there’s a jazzy score, with songs including: “Luck Be a Lady, “Sit Down, You’re Rocking the Boat,” “A Bushel and a Peck,” and “Adelaide’s Lament.” 

### What is *Guys & Dolls* about?

The *Guys and Dolls* musical follows Nathan Detroit, a Manhattan gambler who needs to find a new location for his crap shooting games, pronto. He’s helped by Sky Masterson, who takes a chance on Nathan, settling their deal on a bet: Nathan bets Sky that he can’t take a woman of his choosing on a date. But as they meet their “doll,” Sarah Brown, the odds of falling in love go down until it’s almost inevitable.

Tickets to *Guys and Dolls* are available now. Book your *Guys and Dolls* tickets on London Theatre today.

Guys & Dolls [SEATED] - LON - London Theatre

Sit down, you're rocking the boat! Be taken to the streets of Manhattan and the Havana bars all in one night. Nicholas Hytner directs an immersive, all-encompassing Guys & Dolls at the Bridge Theatre, a musical first for the venue. Get *Guys & Dolls* tickets on London Theatre today.

Broadway’s glossiest love story comes to life in spectacular fashion at *Guys & Dolls.* In this adaptation, the story will take place across the entire auditorium. Audiences can imagine they're walking the streets of Manhattan and sipping on a drink in the bars of Havana all in one night. 

London Theatre hailed that the revival "a jackpot... it manages to be both the most exhilarating version of Frank Loesser’s musical, and also the most nuanced." Hear all the classics like “A Bushel and a Peck,” “Luck be a Lady,” and Miss Adelaide’s song, “Adelaide’s Lament" with refreshing vigour.

## What to Watch For: 

- Did you know that *Guys & Dolls* is based on short stories? Damon Runyon’s works inspired the *Guys & Dolls* musical, notably two tales: “Blood Pressure” and “The Idyll of Miss Sarah Brown.” Sarah Brown is a Save-A-Soul Sergeant who unexpectedly falls in love with Sky Masterson. 
- If you’re seeing *Guys & Dolls* in London, then get ready to step into the musical. *Guys & Dolls* at the Bridge Theatre will be an immersive production. Choose to sit in the tiered seating, or book a standing ticket in the pit. Don’t worry, you won’t be rocking the boat.
- *Guys & Dolls* won a Pulitzer Prize for Drama. However, he didn't receive the prize: Abe Burrows's suspected Communist sympathies by the House of Un-American Activities Committee meant the decision was vetoed. Nobody won the Pulitzer Prize for Drama that year.

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I unlocked £25 Standing Rush tickets for Guys & Dolls on @TodayTixUK! https://www.todaytix.com/london/shows/25504?share=unlock

Guys & Dolls - LON - TodayTix [SEATED]

Luck be a show tonight! Book your tickets to see this vibrant tale of gamblers, showgirls, and unlikely romances in 1950s New York City. Frank Loesser's sweeping score continues to delight audiences over seventy years later.

Guys & Dolls - LON - Box Office

Buy tickets for Guys & Dolls at the Bridge Theatre in London. Find official theatre tickets to Musicals with Box Office.

Guys & Dolls Tickets | Box Office

Would luck be a lady for Nicholas Hytner? His much-hyped, immersive production of *[Guys & Dolls](https://www.londontheatre.co.uk/show/25504-guys-and-dolls-tickets)* is set to run for six months at the [Bridge Theatre](https://www.londontheatre.co.uk/theatres/the-bridge-theatre) — a significant gamble. Well, I’m delighted to report that he’s hit the jackpot with this jubilant revival, which somehow manages to be both the most exhilarating version of Frank Loesser’s musical I’ve seen, and also the most nuanced. 

That combination is thanks to an ingenious staging, building on the Bridge’s previous immersive Shakespeare productions. The audience is in the round, partly seated. The standing audience, gathered in the centre, gets thrillingly close to the action, with hydraulic platforms shooting out of the floor all over the place and neon signs descending from the ceiling.

Bunny Christie’s design basically dances more than the cast. It creates boundless staging opportunities for Hytner: whether it’s a central platform for a big Hot Box number, or a large zigzagging path across the auditorium, or several separate mini-stages acting as different locations. It matches the energy of this heightened, Damon Runyon-styled New York City, and allows for lightning-fast scene changes (occasionally the set-up for the next scene cuts into the current one, as ushers nudge the promenading audience around, but that can hopefully be ironed out over the run). 

It creates a dynamic audience experience, far removed from the previous rather tired West End outing for *Guys & Dolls*. There’s pre-show fun (you can get a rakish hat or a pretzel from a street seller), and immersive elements during the show itself: you might be handed a Save-a-Soul Mission leaflet, or a streamer to wave, or have your drink nicked by a cheeky gambler. It all climaxes with a euphoric dance party, with cast members sticking around to boogie and take selfies with fans. It’s an inspired way to make theatre feel relevant and accessible.

But, as with the similarly thoughtful revivals of *Cabaret* and *Oklahoma!*, this isn’t just audience pandering. Thanks to the intimacy and nimbleness of this set-up, Hytner can also mine the show for psychological detail. 

*Guys & Dolls* is that rare show in which the book is the equal of the score, and this production so joyfully lands all of Abe Burrows and Jo Swerling’s zingers and larger-than-life, deliciously named characters, while also giving them dimensionality.

Crucially, it addresses the inherent misogyny. [Marisha Wallace](https://www.londontheatre.co.uk/stars-on-stage/marisha-wallace)’s Adelaide is no ditzy, marriage-obsessed dupe, who eventually guilts reluctant long-time fiancé Nathan into settling down with her. Instead, this is a couple desperately, carnally in love with each other, however, it’s Nathan who has the mental block. Daniel Mays (mostly known for his screen work, but making a phenomenal musical theatre debut) emphasises how Nathan relishes his status as the ultimate fixer, always staying one step ahead of the law. What happens if he stops running? 

The pair of them bring impressive comic chops but also an inherent sadness to their big rows, especially the wonderfully absurd sequence in which Adelaide admits she’s invented a brood of children for her concerned mother (Mays’s pique that Nathan is just an assistant manager in this fiction is priceless). 

Duet “Sue Me” — often a throwaway gag — is a masterclass in acting through song, supported by the blocking: they grow more physically distanced with each bitter exchange, while still achingly emotionally attached.

Wallace also avoids the easy humorous route with “Adelaide’s Lament,” dropping the exaggerated pronunciations in favour of framing the number as a gentle confession, aimed at the audience right beside her — one friend speaking to another. But she’s just as capable of amping up her performance in the steamy Hot Box stripteases (no coyness here), in which she owns her power and sexuality. 

In contrast to these warring veterans of love are the newly met, opposites-attract pair: Celinde Schoenmaker’s robustly dedicated missionary Sarah and Andrew Richardson’s charmingly insincere gambler Sky. Again, this is framed as an equal journey, not just as a woman who needs to lighten up. 

If anything, the exquisitely clarion-voiced Schoenmaker is the driving force: in “If I Were a Bell” she seems as drunk on life as on rum, tearing open Sky’s shirt and, following some Gene Kelly lamppost swinging, falling into his arms and swimming through the air. When they meet in song, their harmonies intertwine like a warm embrace. 

The boyish Richardson, a smouldering, Clive Owen-esque presence, actually feels like the lost one of the pair. This mainly works nicely, although both performance and vocals need more projection. There’s also one bewildering misstep: the introduction of a stereotypical gay club in Havana. It gets around the tired trope of a feisty Latina starting a catfight, and a bisexual Sky is a fascinating idea, but it’s never actually developed.

I also would have liked more explosive choreography here (the Cuban sequence begins with dancers scattered in the crowd — less impactful at a distance), but Arlene Phillips and James Cousins’s grounded, organic movement is otherwise invigorating, and the visible band gives us a glorious version of Loesser’s peerless score. Plus there are numerous scene-stealing supporting turns: Cedric Neal’s Nicely-Nicely, lending gospel fervour to “Sit Down, You’re Rocking the Boat”; Mark Oxtoby’s fast-talking Benny; the perfect sight gag of Cameron Johnson’s giant Big Jule.

Most joyfully, the happy ending feels earned. Wallace and Schoenmaker’s “Marry the Man Today” isn’t an expression of dubious making-do, but a dawning realisation — by two shrewd women knocking back shots together; fabulous — that there’s nothing certain about life or love: “You’ve simply gotta gamble”. And when it pays off, as Hytner proves, the rewards are boundless. 

*Guys & Dolls at the Bridge Theatre through 2 September. Book Guys & Dolls tickets on London Theatre.*

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*Photo credit: The cast of Guys & Dolls (Photo by Manuel Harlan)*

'Guys & Dolls' review – Nicholas Hytner hits the jackpot with this exhilarating immersive revival

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Read our five-star review of *Guys & Dolls* starring Marisha Wallace at the Bridge Theatre, currently playing through 2 September. Get *Guys & Dolls* tickets on London Theatre.

Nicholas Hytner and Nick Starr spearhead the Bridge Theatre. Having worked together at the [National Theatre](https://www.londontheatre.co.uk/theatres/national-theatre) for over a decade as artistic and executive directors, Hytner and Starr formed the London Theatre Company as part of their efforts to open the largest Off-West End commercial theatre. The 900-seater auditorium is very adaptable and allows shows to be presented in end-on, thrust and promenade formats. 

Production aside, the theatre was praised for its abundance of ladies toilets and its on-site kitchen which, among other things, provides treats freshly baked on site during the interval. 

In 2017, the theatre's inaugural season included a new Richard Bean play *Young Marx*, starring [Rory Kinnear](https://www.londontheatre.co.uk/actor-profile/rory-kinnear) and Oliver Chris, *Julius Caesar* starring Ben [Whishaw](https://www.londontheatre.co.uk/actor-profile/ben-whishaw) and David Calder, and a new play by Nina Raine about the life of JS Bach starring [Simon Russell Beale](https://www.londontheatre.co.uk/actor-profile/simon-russell-beale).

Notable plays at the Bridge Theatre include *The Lion, the Witch and the Wardrobe,* as well as *My Name is Lucy Barton* and *Straight Line Crazy* — the latter two both transferring to New York.

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Nicholas Hytner’s immersive Golden Age revival is the first musical to open at the Bridge Theatre. Daniel Mays, Marisha Wallace, and Celinde Schoenmaker star.

‘Guys & Dolls’ tickets available through February 2024

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