London Theatre Reviews

Read the latest London theatre reviews on the newest openings across the West End and beyond. Discover more about the latest must-see West End shows, Off-West End productions, and why you need to see shows in London. Scroll through our full theatre reviews listings of London musicals, plays, and live events from our London Theatre critics.

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  • With its infectious mix of chart-topping tracks, explosive dance routines, and that lift, Dirty Dancing at the Dominion Theatre is a joyous musical tonic. You’ll wish you could book a one-way trip to Kellerman’s. At its heart, Dirty Dancing is about the endearing summer romance between holidaymaker Frances “Baby” Houseman, and the resident dance instructor Johnny Castle. Jennifer Grey and Patrick Swayze put the Catskills lovers on the Hollywood map, and their spirits resonate in the stage...

    Dominion Theatre
  • Putting on Michael Frayn’s peerless Noises Off – the backstage comedy guaranteed to make me cry with laughter, every time – does seem to tempt fate. And, sure enough, on opening night of this latest West End run, the theatre gods added a few more “circumstances beyond our control” in the audience: as the show began, someone accidentally blasted out Blondie from their phone, and an elderly gentleman next to me started a frantic search for his lost glasses. All of which just added to the perfect...

    Theatre Royal Haymarket
  • The title of Steven Moffat’s play makes a noun out of one of Facebook’s less delightful actions and it also represents a genuine theatrical rarity, especially these days: a comic thriller, and a truly funny one at that. The result widens the remit of superstar TV scribe Moffat (Sherlock, Doctor Who) to enable him to add the stage to his CV in a transfer from Chichester that includes the playwright’s wife, Sue Vertue, amongst the producers. The creatives represent a cross-section of TV names...

    Wyndham's Theatre
  • You might not think that Koko the Gorilla, who died in 2018, would take an interest in the death four years earlier of that fellow Californian, Robin Williams. That tidbit of information comes from the fast-talking Alex Edelman, the sensationally funny and also moving monologist whose well-travelled and wonderful show Just for Us is about an even stranger convergence: the participation of Edelman, an Orthodox Jew, at a meeting of white supremacists in the New York City borough of Queens. (That’s...

    Menier Chocolate Factory
  • As the clock strikes 11:11 on the Kurios set, a Seeker closes their eyes. Immediately, they’re thrust into a make-believe world with never-ending possibilities. In this cabinet of curiosities, acts defy human boundaries and ask what we can achieve when we let our futures guide us. For Cirque du Soleil’s Kurios, the future is now, and after the pandemic, it’s brighter than ever. The contemporary producer celebrate their 25th anniversary in London with the European premiere of Kurios, a...

    Royal Albert Hall
  • What price inaction? That eternal question hovers poignantly over the terrific revival of Lillian Hellman’s rarely seen Watch on the Rhine, which gets 2023 London playgoing off to a truly dynamic start. This airing of Hellman’s quietly explosive 1940 play marks a sterling Donmar debut for the director Ellen McDougall, previously the artistic director of the Gate. And its capacious, uniformly expert cast conjoins veterans like Patricia Hodge, in grand form as a grandstanding American matriarch,...

    Donmar Warehouse
  • No concert was anticipated quite like ABBA Voyage. The possibility to see the iconic Swedish band on stage once more, not only together again, but appearing as their younger selves, boggled everyone’s minds. But can these ABBA-tars (a colloquial way to describe the quartet’s holograms) entertain audiences as much as seeing the real deal in the flesh? To put simply, yes. ABBA Voyage is a concert for the ages. Over five weeks, 1,000 animators immortalised Agnetha Fältskog, Anni-Frid Lyngstad,...

    ABBA Arena
  • “Hakawati” means storyteller in Arabic, and stories are the reason for being of Hakawatis: Women of the Arabian Nights, playwright Hannah Khalil’s reimagining of the way in which Scheherazade sourced her stories for 1001 Nights. A co-production between Shakespeare’s Globe, where it is playing in repertory in the Sam Wanamaker Playhouse, and Tamasha, the director Pooja Ghai’s production catches something of the zeitgeist. In its insistence on the necessity of women to foreground their experience,...

    Sam Wanamaker Playhouse
  • “It’s December, so we need to decide which woman will be successful in theatre this year,” proclaims the unnamed woman on stage. With a knowing look to her audience on its press night, this woman knows what she wants. Fame. Success. Good reviews. Can this woman write her success story? If we’re talking about Liz Kingsman finding success with One Woman Show, then definitely. The comedy darling took over Soho Theatre and the Edinburgh Fringe with her raucous dismantling of millennial storytelling....

    Ambassadors Theatre
  • Not every theatre actor would continue working into his 80s but here’s Ian McKellen, who turns 84 in May, returning yet again to the stage at a time in life when many of his colleagues might prefer simply to rest. Not for the screen’s Gandalf and Magneto a further foray into the Shakespeare repertoire (Hamlet, Lear, his Bard-heavy solo show) that has kept him busy of late. This time round, “Serena” – as the show campily and affectionately renames its internationally renowned star – is donning a...

    Duke of York's Theatre

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