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Miriam-Teak Lee

Theatre Credits, Bio and Tickets


Born in London in 1994, Miriam-Teak Lee is an up and coming West End star. She’s best known for her Olivier Award-winning performance as the title character in & Juliet, originating the role in the world premiere production.

After training at Arts Educational School in London and the Morgan Aslanoff Dance School (of which she is now an ambassador of the latter), Lee made her professional debut in On The Town as Claire. For her performance, she won Best Actress in a Musical at the 2017 Stage Debut Awards. She later headed to the West End to star in the original cast of Hamilton. In Hamilton, she was part of the ensemble, also covering the four lead female roles: Angelica Schuyler, Eliza Schuyler, Peggy Schuyler and Maria Reynolds.

Lee’s career skyrocketed when she was cast as Juliet in & Juliet. After a pre-West End run at Manchester Opera House, she led the cast at the Shaftesbury Theatre. In a review from Mark Shenton: “The company is led by the extraordinary Miriam-Teak Lee in the title role of Juliet, who brings a sizzling presence, incredible vocals and moves to turn her into a force of nature.” For her performance, she won the Olivier Award and the Black British Theatre Award for Best Actress in a Musical, both awarded on the same night. In concert, she’s sung in London Musical Theatre Orchestra’s A Christmas Carol at the Lyceum Theatre.

Now playing

10 September 2019 - 25 March 2023

& JULIET THE MOST FAMOUS LOVE STORY OF ALL TIME. REMIXED.    What if Juliet’s famous ending was really just her beginning? What if she decided to choose her own fate? Join Juliet on this sensational journey of self-discovery and second chances, told through some of the most glittering pop anthems of the last three decades from legendary songwriter Max Martin, including …Baby One More Time, Since U Been Gone, Roar, Everybody (Backstreet's Back), Love Me Like You Do and Can’t Feel My Face, all brilliantly arranged by the Tony and Grammy Award-winning orchestrator Bill Sherman.

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